For anyone who has seen my Facebook/Twitter/Instagram pages lately, you’ll have noticed that I recently went pixie. And for those of you who have known me for a few years, you’ll know just how drastically […]
Recently, I've learnt the importance of not allowing my portfolio, my business and generally, my creativity to become stale. It's all too easy to get stuck in a loop, like a broken record, repeating the same ideas over and over, producing the same photographs, working with the same people. I was guilty of this in 2013; for example, I worked with one particular model no less than half a dozen times in two months. We worked great together, and, as people often do when they work together as often as we did between 2012 and 2013, we became good friends, which for a while only fed our creativity further; she was, I suppose you could say, my muse. However, after a while, our model-photographer friendship became less of a muse, and more of a habit. Our shoots became less 'spontaneous' and more 'half-heartedly planned'. Actually, no, half-hearted is not accurate… just… rushed.
To any fellow photography students/graduates who ever feels that way, I suggest that you do the math, and calculate just how much money you would have spent on hired lighting, studio space, camera equipment for the various shoots and experiments of the past three years. Add to that an estimated cost for a photography workshop with your lecturer, rather than the ‘free’ (until we all reach that dreaded debt threshold) lessons they gave us. Because those are the equivalents to learning the trade sans degree. Personally, I may now be in debt, but I’ve saved a few thousand.
It seems even my passport and post-uni freedom can’t rein in my ‘workaholic’ tendencies… apologies, I’ve been working really, really hard on something that hopefully I can share online in another week or so! Secrets, secrets, secrets […]